Module 12
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             Teaching Module in the 
              Arts  
              - Sea Expressions  
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                   Resource 
                    1  
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                   National 
                    Curriculum Profile The arts - A statement on the arts for 
                    Australian schools  
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                Resource 
                  2 | 
                National 
                  Curriculum Profile | 
                Resource 
                  3  | 
                Further 
                  Reading and References | 
               
               
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                   Resource 
                    4  
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                   Practical Use of this Module with Children 
                     
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                Resource 5 
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                Sequence for Performance  | 
                Resource 6 
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                Integrating Arts into Coastal 
                  and Marine Education Themes  | 
               
             
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            Resources 
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      Resource 1 
      National Curriculum Profile 
      The arts - A statement on the arts for Australian schools 
         
      
       Visual Arts (page 23/24)  
       
      People make art to interpret and respond to experience 
        in visible form. From earliest times, humans have made marks and shaped 
        objects. Using any material at hand, human beings have fashioned useful 
        and decorative objects and made images to represent experience. Works 
        of visual art provide enrichment and enjoyment through the interpretation 
        of their meanings and an appreciation of their forms. 
        
        Art fulfils many roles in our lives and while some art works have a specific 
        function or purpose, others are made simply for their aesthetic qualities. 
        Art can be two- or three-dimensional, it can be beautiful, it can be shocking, 
        it can express ideas and feelings or it can challenge us to rethink our 
        definition of art. 
      
 Although all visual arts experiences involve designing, 
        crafting and making, different traditions have lead to differing emphases. 
        Visual arts experiences may be seen to involve the three fields of "art", 
        "craft" and "design". Each of these describes processes, 
        suggest types of products, and defines people who are artists, craft artists 
        and designers."  
         
       Art, craft and design play complementary and interconnected 
        roles in school. In planning programs, however, schools may choose to 
        focus on experiences according to studio media such as ceramics, design, 
        drawing graphics, painting, printmaking, sculpture and textiles. Some 
        schools may separate art, craft and design to focus on specific methods 
        of working in these aspects of the visual arts. Whatever the forms, visual 
        arts students plan and make functional and non-functional products, develop 
        technical skills and conceptual ideas and work in both traditional and 
        innovative ways. 
         
        
        Music (page 21)  
       
      Music is essentially an aural art form which exists in 
        time. Our contact with it is mainly through hearing, but musical performance 
        can involve bodily movement and the senses of touch and sight. Music can 
        exist in its own right, without reference to anything else, and thus may 
        be considered as abstract in comparison with the sometimes literal nature 
        of pictures. 
        
        For a musical experience to be more than simply and exposure to sound 
        and silence, the listener must distinguish the musical characteristics 
        of the composition while relating and connecting the expressions of the 
        moment to what was heard earlier. This ability to think in sound provides 
        a basis for some deeper and more meaningful understanding of a musical 
        work and can also heighten the listener's appreciation of music. 
      
 Music is an art form that evolves continually. It reflects 
        the experiences of the composer, performer and listener, as well as the 
        social and cultural ethos in which it was created. Music has the capacity 
        to evoke strong Reponses and although individuals respond in diverse ways 
        to the same work, there are cultural and social similarities in the way 
        people value music. Whether we experience music through performing, composing 
        or listening, music excites and moves us in many different ways and for 
        many reasons.  
         
       Music can serve both aesthetic and functional purposes. 
        It engages our imagination and enables us to express our thoughts and 
        feelings in individual ways. Music is not merely an adornment to life; 
        it is a basic manifestation of being human, a profound contribution to 
        personal, social and cultural identity, and a means of expression and 
        communication in every culture. Music can also be used simply for relaxation 
        and entertainment. It can be part of other arts forms (art, dance, theatre, 
        film), give a sense of achievement through mastery of skills, and provide 
        a satisfying group identity through membership of a performing vocal or 
        instrumental ensemble.  
         
       Music in education should reflect the ways music is used 
        in society, with students learning by involvement in creating, experimenting, 
        recreating, discussing, researching, listening, analysing and appraising 
        music. Music is both intellectually and emotionally engaging, helping 
        develop the individual's full capacity and intellect and providing a balance 
        to other symbol systems in the curriculum.  
         
       School is a microcosm of society, and if music is to 
        offer something to all students, it is necessary to recognise music as 
        it is in society, with all its genres, styles and purposes. 
         
       Resource 2 
      National Curriculum Profile 
      The arts - A statement on the arts for Australian schools 
         
      
       Dance 
       Dance is expressive human movement which forms an integral part of human 
        life and culture. Dance exists in a large variety of forms and for different 
        purposes, ranging from social pastime to theatrical performance and religious 
        rite. Definitions of dance vary according to context and perspective. 
        Common to many definitions, however, are statements that emphasize dances 
        social values, its blending of body and mind, its expressive qualities, 
        its use as a form of non-verbal communication, its aesthetic nature in 
        forming movement into an expressive code and, most distinctively, its 
        use of the human body. 
        
        It is the use of the body in a myriad of ways and forms that distinguishes 
        dance from other art forms. And the qualities that distinguish dance from 
        movement are the ways in which movement is employed to communicate intent, 
        feeling, emotions, and ideas. Dance has operated as a symbol system making 
        sense of the thoughts, feelings and activities of people throughout history.
      
  
         Drama  
       
       Drama is the enactment of real and imagined events through roles and 
        situations. Drama enables both individuals and groups to explore, shape 
        and symbolically represent ideas and feelings and their consequences. 
        Drama includes a wide range of experiences, such as dramatic play, improvisation, 
        theatrical performance and film and television drama, and embraces both 
        the processes and the presentations of drama. 
         
        All forms of drama share common elements used to shape and express meaning 
        through action. These include: human interaction, role and character, 
        focus and dramatic tension, movement and dramatic action, sound and voice, 
        language and text, space and time, mood, symbol and contract. Drama stimulates 
        and shapes aesthetic development and enjoyment through valuing both affective 
        and cognitive responses to the world. 
         
        Drama recognises and draws on many different contexts, including those 
        from past and present societies, cultures and constructions of histories. 
        It has the capacity to move and change both participants and audiences 
        and, through shared responses, to affirm and challenge values, societies, 
        cultures and identities.
       
        
      Resource 3 
      
      Further Reading and References 
      Books 
       Arts and the Environment, Gould League, written by Terry Keyt, Thais 
        Sansom, Bruce McLish, Sara Glenie 
        Australias Southern Shores, written by Harry Breidahl, Published 
        by Lothian Books 1997 
        Environmental Starters, Gould League PO Box 1117 Moorabbin, Vic. 3189, 
        ph (03) 9532 0909 fax (03) 9532 2860 
        Exploring the Oceans, written by Mark Rodrigue, Gould League & VAEE, 
        PO Box 1117 Moorabbin, Vic. 3189, ph (03) 9532 0909 fax (03) 9532 2860 
        Field Activities for Coastal and Marine Environments, Commonwealth Coastal 
        Action Program, Report Series 10, compiled contributions by MESA http://www.environment.gov.au/portfolio/education/aeen/pd/cms/introduction/homepage.html 
       National Curriculum Profiles 
        A statement on the arts for Australian schools 
        The arts  a curriculum profile for Australian schools 
        Curriculum Corporation, St. Nicholas Pl., Rathdowne St., Carlton Vic. 
        3053 
        Tel: (03) 9207 9600 Fax: (03) 9639 1616 Email: sales@curriculum.edu.au 
      Videos
       Aliens from Inner Space, BBC, narrated by David Attenborough  
        www.videoplusdirect.co.uk 
         
        Ocean Drifters, National Geographic  
        www.nationalgeographic.com 
        or their customer service line Email: NGSline@customersvc.com  
        Coastal and Marine Resource Guide, A Component of the Coastal and Marine 
        Schools Project, Commonwealth Coastal Action Program, Report Series 7 
        www.environment.gov.au/portfolio/education/aeen/pd/cms/introduction/homepage.html 
      Audio Tapes
       Sound Effects and other sounds of nature tapes, at various music stores 
      Posters
       Beach Combing, Gould League, PO Box 1117 Moorabbin, Vic. 3189, ph (03) 
        9532 0909 fax (03) 9532 2860 
        Rockpool Life, Gould League, PO Box 1117 Moorabbin, Vic. 3189, ph (03) 
        9532 0909 fax (03) 9532 2860 
        The Unique South, series of 3, Marine and Coastal Community Network (mccnvic@ozemail.com.au) 
      
          Seagrass Meadows  
           Kelp Forests  
           Sponge Gardens 
       
       Plus education supplements on request 
         
       
      Resource 4 
      Practical Use of this Module with Children 
      The following performance sequence was taken from a trial of the module 
        that was done early in November 1998 at Timboon P-12 in Victoria. The 
        performance was the culmination of a single Ocean Arts Day 
        and included grades prep to Year 3. 
        Due to the constraint of distance the teacher and volunteer inservicing 
        was done via telephone, fax and post. Each leader was given a time structure 
        and general layout of what their part in the day would entail. 
        
        The activity room was set up in activity stations  visual arts, 
        music, and dance  which utilised the entire area. It was decided, 
        though, that the music would be better off in a nearby area. While one 
        grade was working in the activity room the other grades were working in 
        the classroom. 
         
        Because of the size of the group participating there was a need to have 
        two performances. The performance sequence was to be cued by an MC. With 
        extra time the children could be guided to compose the script for the 
        MC. However, with restrictions in time this narration was written and 
        delivered by a adult coordinator. 
        To avoid confusion the classes were instructed that the last activity 
        station they attended would dictate their part in the performance. The 
        exception occurred where the class in visual arts needed to either join 
        the music group or dance groups as directed. 
      
  
        Performance 1: Prep and Year 1
       MC: Under the sea lots of things love to live in and near seagrass. 
        The seagrass helps to keep the sand in one place and not get washed away. 
        The seagrass blows one direction then the other as the waves and currents 
        go by. 
        CUE: Year PREP seagrass meadow group begin moving with the waves. The 
        tiny animals move into and hide in the grass. 
         
        MC: The seagrass moves in one direction then the other as the waves and 
        currents go by. On the land not too far from here there are sand dunes. 
        They are covered by lots of plants. If the plants weren't there the sand 
        would be blown and washed away. When too many people walk all over the 
        plants they get squashed and die. The wind begins to blow. 
        CUE: Year 1 music group begin sea and wind sounds. 
         
        MC: the wind gets louder. The waves begin to rise. 
        CUE: Year 1 wave group begin a Mexican wave with their plastic 
        bags. 
         
        MC: Uh oh. Because the plants on the dunes have been squashed by peoples 
        feet they have died. Now there is nothing to hold the sand and it begins 
        to blow away. Lets see what might happen if the sand blew out to 
        sea. 
        CUE: Year 1 wave group begin washing up through the seagrass and 
        tumble onto the beach (mats). 
         
        MC: Look at the waves moving over the seagrass. I sure hope that 
        the little animals living in the seagrass are tucked up safely. But wait. 
        What's happening now? 
        CUE: Year 1 last line of waves draws a blanked over the top of 
        the seagrass. 
         
        MC: The sand settles heavily over the seagrass. The seagrass is very uncomfortable. 
        But do you know that people can help the dunes and the seagrass by making 
        special places to walk. They can replant some of the plants that died. 
        Let's listen as some volunteers sing and work to revegetate the dunes. 
        CUE: Prep visual arts and music groups begin planting and singing. 
         
        MC: Hang on!!! Something else is happening now! Look at the little seagrasses. 
        CUE: Prep seagrasses begin to push the blanket away and wave their 
        arms. 
         
        MC: there are new little shoots pushing the heavy sand away. And have 
        a look at that  along with the new shoots I can see tiny little 
        flowers dancing back and forth in the currents. 
        CUE: Prep seagrasses to sway and flick open their hands like little 
        flowers. 
         
        MC: It looks like the seagrasses must be feeling much better now that 
        the sand dunes are safe again. 
         
       Resource 5 
      Sequence for Performance 
      
         
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          | Group and Time | 
          Dance | 
          Drama | 
          Music | 
          Visual Arts | 
         
         
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      Resource 6 
      Integrating Arts into Coastal and Marine Education Themes 
      
         
          | Level Or Year _________ | 
         
         
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          Activity Ideas  | 
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          Dance | 
          Drama | 
          Music | 
          Visual Arts  | 
         
         
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             Exotic imports 
             and threatened 
             species 
               
               
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             Pollution: 
             Drains 
             Shipping 
             Fishing 
             Commercial by- products 
               
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             Fishing: overfish- 
             ing and bycatch 
               
               
               
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             Collecting 
              
              
              
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             Foot traffic 
             degradation 
               
               
               
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             Natural 
             catastrophes 
               
               
               
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             Level  
             Outcomes 
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